Touching, C.Y. Residency and Research undertaken at the Perth Institute of Contemporary Art in 2014. 
Touching, C.Y. saw me develop a sculptural score based on the relationship between Perth's outer northern suburbs, recent inner city developments and how they are embroiled with Perth's first urban designer and utopian, Paul Ritter. The works created were poetic assemblages that integrated found objects, site-based materials such as spring water, river water, front yard dirt, and scrap objects to make molds out of. The score and sculptural objects resulted in a propositional design for a front garden. 

The Ocean Folds and Forgets, Part of an installation at The Foodcourt, Docklands. 
This work was comprised of a series of fishing sinkers cast in plaster and sea water extracted from the harbour. The sinkers were then available for gallery goers to carry in their pockets whilst in the exhibition.

Smokescreen, With Elizabeth Pedler, TCB Art Inc. 2013. 
Smokescreen was a collaborative installation developed with Elizabth Pedler. Elizabeth's large scale, immersive installation was comprised of polystyrene balls activated by fans that utilized the backspace of TCB. In the front space I installed a provisional sculptural object that was also activated by a fan and that performed the activation of Elizabeth's work through a conduit and a vent that occupied her space. This work alongside a transparent wall that closed off Elizabeth's installation mimicked a foyer space and shop front display positioning participants in a situation where the performativity and consumption of installation was brought into question through a humorous ruse. 

Positions In Relation, Ongoing. 
This is a continuous series that documents the places that people stand during political rallies.

Backlands, third year graduation, Victorian College of the Arts 2011.
This work consisted of two large concrete casts of graffiti from a building that was due for demolition, these were set against the wall as relief objects. Accompanying the reliefs was a series of appropriated and meticulously re-created public objects from a suburban park in Western Australia. The objects were then tethered and balanced within the space caught between falling down and building up. 

Modelling, A Public Commission undertaken through Rising an initiative established between the VCA and Lend Lease. 
The work was a re-creation of the architectural model from Lend Lease's office for the site of Victoria Harbor  The replicated model was scaled up to furniture height and re-situated in the Docklands. Rather than the model standing for an imagined future of potentialities, protected under a vitrine in the offices' ideal conditions, my model was subject to the reality of the site, vandalism, public use and the weather.

Extended Movement, West Space and the VCA, 2012-2013. 
Extended Movement was an intensive material project that was developed over the duration of a year. Using the images I had taken of political rallies as a starting point, I began generating sculptural works through an alternative approach to the sites and methodologies associated with sculpture.By looking at objects as 'participants' in the political rallies I had come to develop sculptural objects based on a conversation had with materials. This formed an abstract language that consider the physical relations and formations of objects within studio and gallery based situations.

Untitled, 2012-ongoing. 
A series of prosthetic conduits made for rooms.